A new show from James Rowland featuring his captivating mix of theatre, comedy and music.
LEARNING TO FLY sees James tell the story of a remarkable friendship he made when he was a lonely, unhappy teenager
with the scary old lady who lived in the spooky house on his street.
It’s about connection, no matter what the obstacles; about love’s eternal struggle with time; about music and its ability to heal. It’s also about her
last wish: to get high once before she dies.
Uplifting, big hearted and hilarious, this brand new show is touring following a sell out run at the Edinburgh festival. Age guidance 14+
'A riveting, remarkable hour of theatre...’ ★★★★★ The Guardian
Full Review:
As theatre recovers from the pandemic, many makers at the fringe this year seem to be questioning the fundamentals of the artform. What makes theatre theatre? What’s needed and what’s not? With Learning to Fly – as, indeed, with his earlier Songs of Friendship trilogy of shows – writer-performer James Rowland demonstrates how the best performances can do an awful lot with very little.
There’s no set, no sound design, no costume changes. The only music comes from a portable record player, which Rowland operates himself. It’s just him, us and a story. With enchanting simplicity, Rowland tells us about an unlikely friendship from his youth, with the reclusive old lady who lived down the street. It starts, like many a fairytale or horror movie, with a creepy, overgrown house and its similarly sinister inhabitant. But Rowland repeatedly sets up tropes and expectations only to knowingly subvert them, as the relationship between this lonely teenager and his enigmatic neighbour gathers layers of heart-tugging complexity.
It’s a deceptive piece. The story seems, in some ways, so small. Rowland narrates events from across a relatively short time span, mostly confined to a cul-de-sac in Didsbury. Not a lot happens, really, over the course of the hour-long running time. But just like Beethoven’s Ninth Symphony – which provides the musical and dramaturgical backbone of the show – Learning to Fly connects the trivial to the cosmic. In its specificity, this narrative deftly touches on profound truths about what it means to be human. It captures, with remarkable precision, the joyful, sad, ridiculous mess of it all.
It helps, of course, that Rowland is a consummate storyteller. He’s often puppyish in his enthusiasm, bouncing around the stage with seemingly boundless energy. But he also makes brilliantly controlled use of silence and space, allowing story beats to land and sit with us. Few performers can hold a moment like he can, trusting in the narrative world and the relationship with the audience that he has crafted. And all from nothing but a story, a shared space, and a bit of time spent together.
Running Time: 60 mins